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Alibis: Sigmar Polke 1963-2010
April 19, 2014–August 03, 2014
Posted on July 18, 2013
Contemporary Galleries, second floor; The Donald B. and Catherine C. Marron Atrium, second floor; The Yoshiko and Akio Morita Media Gallery, second floor; Projects Gallery, second floor
Alibis: Sigmar Polke 1963–2010 brings together the work of Sigmar Polke (German, 1941–2010), one of the most voraciously experimental artists of the 20th century. This retrospective is the first to encompass the unusually broad range of mediums Polke worked in during his five-decade career, including painting, photography, film, sculpture, drawings, prints, television, performance, and stained glass. Polke eluded easy categorization by masquerading as many different artists—making cunning figurative paintings at one moment and abstract photographs the next. Highly attuned to the distinctions between appearance and reality, Polke elided conventional distinctions between high and low culture, figuration and abstraction, and the heroic and the banal in works ranging in size from intimate notebooks to monumental paintings. Four gallery spaces on MoMA’s second floor are dedicated to the exhibition, which comprises over 250 works and constitutes one of the largest exhibitions ever organized at the Museum. Alibis: Sigmar Polke 1963–2010 is organized by MoMA with Tate Modern, London. It is organized by Kathy Halbreich, Associate Director, MoMA; with Mark Godfrey, Curator of International Art, Tate Modern; and Lanka Tattersall, Curatorial Assistant, Department of Painting and Sculpture, MoMA. The exhibition travels to Tate Modern from October 9, 2014, to February 8, 2015, followed by the Museum Ludwig in Cologne, in spring 2015.
A major publication accompanies the exhibition, comprising 16 essays covering the entire span of Polke’s intermedial production, a comprehensive narrative chronology, an interview with Benjamin Buchloh on the groundbreaking 1976 solo exhibition of Polke’s work that he curated, an illustrated checklist, and a bibliography of publications from 1997 to the present. Texts are from a broad spectrum of artists and scholars, most of whom have not previously published work on Polke. The authors are Paul Chan, Christophe Cherix, Tacita Dean, Barbara Engelbach, Mark Godfrey, Stefan Gronert, Kathy Halbreich, Rachel Jans, John Kelsey, Erhard Klein, Jutta Koether, Christine Mehring, Matthias Muehling, Marcelle Polednik, Christian Rattemeyer, Kathrin Rottmann, Magnus Schaefer, and Lanka Tattersall.
The exhibition is made possible by a partnership with Volkswagen of America.
Major support is provided by Hanjin Shipping.
The Museum acknowledges generous funding from the Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, Marie-Josée and Henry Kravis, Anna Marie and Robert F. Shapiro, Sully Bonnelly and Robert R. Littman, and The Contemporary Arts Council of The Museum of Modern Art.
Additional support is provided by The Charles Lafitte Foundation, The Junior Associates of The Museum of Modern Art, and the MoMA Annual Exhibition Fund.
Support for the publication is provided by The International Council of The Museum of Modern Art and by the Jo Carole Lauder Publications Fund of The International Council of The Museum of Modern Art.
Park Hyatt®, through Hyatt, is the hotel sponsor of Alibis: Sigmar Polke 1963–2010.