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Edgar Degas: A Strange New Beauty
March 26, 2016–July 24, 2016
Posted on July 20, 2015
The International Council of The Museum of Modern Art Gallery, sixth floor
A major exhibition focusing on Edgar Degas’s (1834–1917) extraordinary and rarely seen monotypes and their impact on his wider practice, Edgar Degas: A Strange New Beauty is the first exhibition in the U.S. in nearly 50 years to examine these radical, innovative works—and The Museum of Modern Art’s first monographic exhibition of the artist. It will feature approximately 120 monotypes along with some 60 related works, including paintings, drawings, pastels, sketchbooks, and prints, to be seen only at MoMA.
A towering figure in 19th-century art, Degas is best known as a painter and chronicler of the ballet. Yet his work as a printmaker reveals the true extent of his restless creativity, as he mixed techniques with abandon in his studio and shared recipes with colleagues for producing unconventional effects. Captivated by the monotype’s potential, Degas took the medium to new and radical heights, abandoning the academic drawing style of his youth and inventing a new repertoire of mark-making that included wiping, scraping, scratching, fingerprinting, and rendering via removal. The resulting works are characterized by enigmatic and mutable forms, luminous passages emerging from deep blackness, and a heightened sense of tactility. The freedom Degas found in such techniques is an important theme of the exhibition, and the presentation will link his efforts in monotype to works in other mediums.
The exhibition surveys these technical innovations and the range of subject matter they explored, including scenes of modern life; harshly illuminated café singers; ballet dancers onstage, backstage, or in rehearsal; the life of the brothel; intimate moments at the bath; and landscapes. To illuminate how Degas saw iteration as an end in itself, key groupings will show how Degas traced, inverted, and recombined figures into different arrangements, applying pastel or charcoal on paper, or layering oil paint on canvas to further transform his subjects.
Organized by Jodi Hauptman, Senior Curator, Department of Drawings and Prints, with Karl Buchberg, Senior Conservator, Heidi Hirschl, Curatorial Assistant, The Museum of Modern Art, and Richard Kendall, independent art historian and curator.