MoMA PS1

MoMA PS1, located in Long Island City, Queens, is one of the oldest and largest nonprofit contemporary art institutions in the United States. An exhibition space rather than a collecting institution, it devotes its energy and resources to displaying the most experimental art in the world. MoMA PS1 presents a range of exhibitions, including monographic artist presentations, retrospectives, site-specific installations, historical surveys, and a full schedule of music and performance programming.

Founded in 1976 as the P.S.1 Contemporary Art Center, it was the first nonprofit arts center in the United States devoted solely to contemporary art and is recognized as a defining force in the alternative space movement. In 2000 The Museum of Modern Art and P.S.1 Contemporary Art Center merged, creating the largest platform for contemporary art in the country and one of the largest in the world. Functioning as a living, active meeting place for the general public, MoMA PS1 is a catalyst for ideas, discourses, and new trends in contemporary art.

The latest press releases and information on current and upcoming exhibitions at MoMA PS1 can be found here. For high-resolution images for publication, register at Press Access.

Please visit the Press Release Archives for past MoMA PS1 exhibitions.

For more information about MoMA PS1, please visit www.MoMAPS1.org

High-resolution images for publication are available through our password-protected Press Access.

MoMA PS1 press contact:
Molly Kurzius
Director of Communications, MoMA PS1
(718) 392-6447
molly_kurzius@moma.org
press_momaps1@moma.org

MoMA PS1
22-25 Jackson Ave. at the intersection of 46th Ave.
Long Island City, NY 11101
(718) 784-2084
Hours, Admission & Directions

Carolee Schneemann: Kinetic Painting

October 22, 2017–March 11, 2018

Posted on October 25, 2017

MoMA PS1

MoMA PS1 will present the first comprehensive retrospective of the work of Carolee Schneemann (American, b. 1939) in the United States, bringing together over 300 works spanning her prolific six-decade career. As one of the most groundbreaking artists of the second half of the twentieth century, Schneemann’s pioneering investigations into the social construction of the female body and the sexual and cultural biases implicit in traditional art historical narratives have had an indelible impact on subsequent generations of artists.

Carolee Schneemann: Kinetic Painting begins with rarely seen examples of the artist’s early paintings from the 1950s, charting their evolution into assemblages made in the 1960s—which integrated found objects, mechanical elements, and painterly interventions. A central protagonist of New York City’s downtown avant-garde community, Schneemann explored hybrid art forms that culminated in experimental theater events. She was a co-founder of the innovative Judson Dance Theater and the first visual artist to choreograph for the ensemble. During this period, Schneemann began to position her own body in her work with the intent of performing the roles of “both image-maker and image.” Responding to representations of sexuality made predominantly from the perspective of male artists, Schneemann’s provocative pieces foregrounded her body in ways that challenged prevailing attitudes about female sexuality. In parallel, Schneemann’s outrage over the atrocities of the Vietnam War are starkly reflected in several of her works from the mid-1960s.

The exhibition grounds Schneemann’s oeuvre within the context of her lifelong commitment to painting and action, tracing the early developments that would lead to her iconic performances and films from the 1960s and 1970s, through to her multimedia installations from the 1980s, 1990s, and 2000s exploring feminist iconography, intimacy, and personal loss, as well as political disasters, captivity, and the destruction of war.

Carolee Schneemann: Kinetic Painting is organized by the Museum der Moderne Salzburg. The exhibition is curated by Sabine Breitwieser, Director, Museum der Moderne Salzburg; and consulting curator Branden W. Joseph, Frank Gallipolli Professor of Modern and Contemporary Art, Columbia University, New York; and organized at MoMA PS1 by Erica Papernik-Shimizu, Assistant Curator, Department of Media and Performance Art, The Museum of Modern Art; with Oliver Shultz, Curatorial Assistant, MoMA PS1.

Major support is provided by Lonti Ebers and The Contemporary Arts Council of The Museum of Modern Art.

Generous funding is provided by The Junior Associates of The Museum of Modern Art.
 
Additional support is provided by the MoMA PS1 Annual Exhibition Fund.

Carolee Schneemann: Kinetic Painting


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Carolee Schneemann: Kinetic Painting

October 22, 2017–March 11, 2018

Posted on October 25, 2017

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Carolee Schneemann: Kinetic Painting