Advance Schedule of Exhibitions for MoMA & MoMA PS1

Please note that exhibitions are subject to change. 

Click here for a list of our touring or off-site exhibitions. 

Check the Press Release Archives for past exhibitions.

High-resolution images for publication are available through our password-protected Press Access.
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Disappearing Acts: Bruce Nauman, 1964-2018

October 2018 – January 2019

Floor Six, Exhibition Galleries

The Museum of Modern Art and Schaulager, Basel, announce their collaboration on a full retrospective devoted to the work of American artist Bruce Nauman (b. 1941). Opening at Schaulager in March 2018 and traveling to The Museum of Modern Art in October of that year, the exhibition will be the first comprehensive retrospective of the artist’s work across all mediums in over 20 years, and will build upon the rich holdings of the two organizing institutions. Covering his entire career, from the earliest fully realized sculptures of 1965 to his most recent work, the exhibition will provide an opportunity to experience Nauman’s command of a wide range of mediums, from drawing, printmaking, photography, and neon, to performance, video, film, sculpture, and large-scale installations—including Days (2009), a 14-channel sound installation for which Nauman won the Golden Lion for Best National Participation at the Venice Biennial in 2009.

Organized by The Museum of Modern Art, New York, and Laurenz Foundation, Schaulager, Basel.

The exhibition is organized by Kathy Halbreich, Associate Director and Laurenz Foundation Curator, The Museum of Modern Art, New York, with Heidi Naef, Senior Curator, Schaulager, Basel, and Isabel Friedli, Curator, Schaulager, Basel, Magnus Schaefer, Assistant Curator, and Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.
The exhibition is made possible by Laurenz Foundation, Schaulager, Basel.
 
Lead Corporate Sponsor of the New York presentation is Hyundai Card.
 
Generous funding is provided by Sully Bonnelly and Robert R. Littman and by Ellen and William Taubman.
 
Additional support is provided by the Annual Exhibition Fund.

 

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Modern Mondays

Ongoing

The Roy and Niuta Titus Theater 2

Building upon the Museum’s eight-decade tradition of fostering cinematic innovation and experimentation, Modern Mondays invites artists working in the expanded field of film, video, performance, and sound to present their work in an intimate setting. A platform for both emerging artists and pioneering figures who have changed the way we think about the moving image, this series premieres new projects and rediscovers landmark works. Considering avant-garde narratives from the 21st century, the program also celebrates legacies of influential historical figures in a contemporary context. Each evening presents a unique opportunity for audiences to engage in dialogue with artists, along with curators and other guests.

An Evening with Kamau Amu Patton
Monday, September 18, 7:00 p.m.

Kamau Amu Patton is an interdisciplinary artist whose work engages with archives, documents, stories, and sites. On March 2, 2013, under the auspices of the Lone Wolf Recital Corps, along with Terry Adkins (1953-2014) and Blanche Bruce, Patton performed Amun (The Unseen Legends), described in the event’s announcement as “an immersive improvisational experience in sound and light” in which the artists “explore passages through mercurial windows of appearance and invisibility.” The recital featured a projection of Patton’s 2010 abstract film Theory of Colors, as well as improvisational sound. On the occasion of Projects 107: Lone Wolf Recital Corps Kamau Amu Patton re-stages Amun (The Unseen Legends), performing live electroacoustic improvisation to Theory of Colors accompanied by a digitally scrubbed recording of the 2013 recital in which only Adkins’s musical parts remain.

The program will commence with a screening of documentation of Patton’s 2008 performance Proliferation of Concept/Accident Tolerant, a precursor to Theory of Colors. The screening and performance will be followed by a conversation between the artist and Akili Tommasino, Curatorial Assistant, Department of Painting and Sculpture.

Organized by the Department of Film and the Department of Media and Performance Art.

 

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From the Collection: Artists at Mid to Late Career

Opens November 4, 2017

Floor Four, The David Geffen Galleries

This presentation in the Museum’s fourth-floor collection galleries will focus exclusively on works made by artists in their mid to late careers. Spanning from the 1960s to today, the installation chronicles the many years of sustained experimentation, daring invention, and thoughtful reconsideration that distinguish an individual artist’s career long after his or her breakthrough moment. Highlighting lesser-known works by prominent artists and key works by some less familiar names, Artists at Mid to Late Career provides an alternate view of the history of art over the last half century. All works are drawn from MoMA’s collection, with examples by Lee Bontecou, Louise Bourgeois, Beauford Delaney, Gego, Philip Guston, David Hammons, Jasper Johns, Georgia O’Keeffe, Gerhard Richter, and many others.

Organized by Paulina Pobocha, Associate Curator, and Cara Manes, Assistant Curator, Department of Painting and Sculpture
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MoMA PS1. Photo: Elk Studios, 2012.

MoMA PS1 Building Images

Ongoing

 

Images of MoMA PS1’s building are located through Press Access.

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The Alfred H. Barr Painting and Sculpture Galleries, Fifth Floor

Ongoing

Fifth floor

The Alfred H. Barr Painting and Sculpture Galleries feature on the fifth floor roughly span the years 1880 to 1940. Within an overall chronological flow, galleries highlight individual stylistic movements, artists, and themes, including Post-Impressionism, Cubism, the work of Henri Matisse, Claude Monet’s Water Lilies, and Surrealism, among other subjects. An ongoing program of periodic reinstallations allows the curators to present a wide range of artworks in various configurations, reflecting the view that there are countless ways to explore the history of modern art and the Museum’s rich collection. 

Browse selected works on view.

 

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The Museum of Modern Art, designed by Yoshio Taniguchi. Entrance at 53rd Street. Photo © 2011 Timothy Hursley

Touring and Off-Site Exhibitions

Ongoing

 

BRUCE CONNER: IT’S ALL TRUE
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
February 21–May 22, 2017

Marcel Broodthaers: A Retrospective
Kunstsammlung Nordrhein-Westfalen (KNW), Düsseldorf, Germany
March 4–June 11, 2017

The Paris of Toulouse-Lautrec: Prints and Posters from the Museum of Modern Art
Chrysler Museum of Art, Norfolk, Virgina
March 10–June 18, 2017

Currier Museum of Art, Manchester, New Hampshire
September 30–April 9, 2017

Robert Rauschenberg
Tate Modern, London, England
November 30, 2016–April 9, 2017

The San Francisco Museum of Modern Art, San Francisco, California
November 4, 2017–March 25, 2018

Masterworks from MoMA
National Gallery of Victoria, Melbourne, Australia
June 8–October 7, 2018

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ALL THAT IS SOLID by PATTU (Cem Kozar, Işıl Ünal) Selected project of YAP Istanbul Modern 2014-2015

Young Architects Program International

Ongoing

 

With its international partnerships, Young Architects Program (YAP) offers selected young designers and architects across the globe the opportunity to create designs that promote diverse uses such as rest, play, and relaxation as well as hosting a series of live events such as shows, music, dance, exhibitions, and performances. In addition architects are encouraged to address environmental issues, including sustainability and recycling, to create highly innovative projects that provide shade, seating, and water. To achieve these goals, MoMA and MoMA PS1 are currently partnering with the National Museum of XXI Century Arts (MAXXI) in Rome, CONSTRUCTO in Chile, and Istanbul Modern in Turkey (on a biennial cycle).

In May 2014, The Museum of Modern Art, MoMA PS1, and the National Museum of Modern and Contemporary Art (MMCA) in Seoul announced a new partnership that further expands the international YAP to South Korea. YAP Korea provides opportunities for emerging architects in South Korea to create temporary exterior installations for summer programming at the MMCA.

A dedicated YAP International website, MoMA.org/yap, features the selected proposals and designs from the winner of YAP International. The website also includes an archive of past MoMA/MoMA PS1 YAP finalists and winning proposals, interviews with the curators, and installation videos.

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Projects 105: Cinthia Marcelle

October 23, 2016–September 04, 2017

Duplex Gallery and Cinema, MoMA PS1

Projects 105 presents Education by Stone (2016), a new site-specific installation by Cinthia Marcelle (Belo Horizonte, Brazil, 1974) and the artist’s first solo exhibition in New York. Recently selected to represent Brazil at the 2017 Venice Biennale, Marcelle is known for her installations, performances, and videos, which stage forms of labor to produce poetic situations. Occupying MoMA PS1’s Duplex gallery, the installation will insert chalk, a pedagogical material to which she has re-turned throughout her career, in the building’s formerly scholastic space. Numerous rods of chalk will be lodged into the fissures and openings of the gallery’s brick walls from floor to ceiling, revealing the material’s inherent instability and fragility.

ABOUT THE ARTIST
Cinthia Marcelle has had solo exhibitions in South America and Europe. She recently participated in the 11th Sharjah Biennial (2015), and will represent Brazil in the 57th Venice Biennale (2017). In 2006, she was the recipient of the International Prize for Performance for her work Gray Demonstration (2006). In 2010, she was awarded the Future Generation Prize.

Organized by Giampaolo Bianconi, Curatorial Assistant, Department of Media and Performance Art, The Museum of Modern Art.

The Elaine Dannheisser Projects Series is made possible in part by The Elaine Dannheisser Foundation and The Junior Associates of The Museum of Modern Art.

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Unfinished Conversations: New Work from the Collection

March 19, 2017–July 30, 2017

Floor Six, The International Council of The Museum of Modern Art Gallery

Press Preview: Tuesday, March 14, 9:30-11:30 a.m.

Unfinished Conversations brings together works by more than a dozen artists, made in the past decade and recently acquired by The Museum of Modern Art. The artists that make up this intergenerational selection address current anxiety and unrest around the world and offer critical reflections on the present moment.

The exhibition considers the intertwining themes of social protest, the effect of history on the formation of identity, and how art juxtaposes fact and fiction. From Cairo to St. Petersburg, from The Hague to Recife, the artists in the exhibition observe and interpret acts of state violence and the resistance and activism they provoke. They reexamine historical moments, evoking images of the past and claiming their places within it. They take on contemporary struggles for power, intervening into debates about government surveillance and labor exploitation. Together, these artists look back to traditions both within and beyond the visual arts to imagine possibilities for an uncertain future.

The title of the exhibition is inspired by John Akomfrah’s three-channel video installation The Unfinished Conversation (2012), which chronicles the life and work of the Jamaican-born British cultural theorist Stuart Hall (1932–2014). Hall recognized the power that museum collections have to both shape and reflect culture and communities, contending that they are sources of inspiration “which create thought-provoking visions of our past. They provide testimony to the darkest and brightest of human history.”

Unfinished Conversations includes works by John Akomfrah, Jonathas de Andrade, Anna Boghiguian, Andrea Bowers, Paul Chan, Simon Denny, Samuel Fosso, Iman Issa, Erik van Lieshout, Cameron Rowland, Wolfgang Tillmans, Adrián Villar Rojas, Kara Walker, and Lynette Yiadom-Boakye.

Organized by Klaus Biesenbach, Chief Curator at Large, The Museum of Modern Art and Director MoMA PS1; Lucy Gallun, Assistant Curator, Department of Photography; Thomas J. Lax, Associate Curator, Department of Media and Performance Art; Christian Rattemeyer, The Harvey S. Shipley Miller Associate Curator, Department of Drawings and Prints; and Yasmil Raymond, Associate Curator, Department of Painting and Sculpture, with Elizabeth Henderson, Department Coordinator, Office of the Chief Curator at Large. 

Allianz is a partner of contemporary art at MoMA.

Additional support for Unfinished Conversations: New Work from the Collection is provided by the Annual Exhibition Fund.

MoMA Audio+ is supported by Bloomberg Philanthropies.

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Maureen Gallace

April 9–September 10, 2017

MoMA PS1

The first survey of paintings by American artist Maureen Gallace, Clear Day features nearly 70 works spanning the artist’s career. For more than 25 years, Maureen Gallace (b. 1960) has painted genre scenes drawn from the American landscape and still life traditions. Her small canvases and panels most commonly depict rural pastorals and coastlines, typically featuring nondescript barns or cottages amid dunes and foliage that evoke a nostalgic New England. Recalling holiday cards and vacation snapshots, Gallace’s paintings quietly disturb the reassuring sentimentality of such pictures. Often lacking doors or windows, her houses may seem locked up, or disquietingly open and vulnerable to the elements. Her lush gardens and yards can be obstructed by fences, and paths lead the viewer astray; infinite vistas over the ocean are stacked and collapsed into shallow compositions. From the outset of her career, Gallace has deployed a range of abstract compositional tools to frustrate the romantic enticements of her subject matter and the painterly seductions of her surfaces, giving rise to a quietly remarkable and contemporary body of work.

Maureen Gallace (b. 1960) has exhibited widely, including solo exhibitions at Maureen Paley, London (2016); 303 Gallery, New York (2015); La Conservera, Murcia, Spain (2011); The Art Institute of Chicago (2006); Douglas Hyde Gallery, Dublin (2004); Dallas Museum of Art (2003); and Museum Schloss-Hardenberg, Velbert, Germany (1996). Group shows in which she has participated include September 11, MoMA PS1 (2011) and the Whitney Biennial (2010).

Organized by Peter Eleey, Chief Curator, MoMA PS1, with Margaret Aldredge Diamond, Curatorial and Exhibitions Associate, MoMA PS1.

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