Advance Schedule of Exhibitions for MoMA & MoMA PS1
Please note that exhibitions are subject to change.
Click here for a list of our touring or off-site exhibitions.
Check the Press Release Archives for past exhibitions.
October 2018 – January 2019
Floor Six, Exhibition Galleries
The Museum of Modern Art and Schaulager, Basel, announce their collaboration on a full retrospective devoted to the work of American artist Bruce Nauman (b. 1941). Opening at Schaulager in March 2018 and traveling to The Museum of Modern Art in October of that year, the exhibition will be the first comprehensive retrospective of the artist’s work across all mediums in over 20 years, and will build upon the rich holdings of the two organizing institutions. Covering his entire career, from the earliest fully realized sculptures of 1965 to his most recent work, the exhibition will provide an opportunity to experience Nauman’s command of a wide range of mediums, from drawing, printmaking, photography, and neon, to performance, video, film, sculpture, and large-scale installations—including Days (2009), a 14-channel sound installation for which Nauman won the Golden Lion for Best National Participation at the Venice Biennial in 2009.
Organized by The Museum of Modern Art, New York, and Laurenz Foundation, Schaulager, Basel.
The exhibition is organized by Kathy Halbreich, Associate Director and Laurenz Foundation Curator, The Museum of Modern Art, New York, with Heidi Naef, Senior Curator, Schaulager, Basel, and Isabel Friedli, Curator, Schaulager, Basel, Magnus Schaefer, Assistant Curator, and Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.
The exhibition is made possible by Laurenz Foundation, Schaulager, Basel.
Generous funding is provided by Ellen and William Taubman.
Additional support is provided by the Annual Exhibition Fund.
The Roy and Niuta Titus Theater 2
Building upon the Museum’s eight-decade tradition of fostering cinematic innovation and experimentation, Modern Mondays invites artists working in the expanded field of film, video, performance, and sound to present their work in an intimate setting. A platform for both emerging artists and pioneering figures who have changed the way we think about the moving image, this series premieres new projects and rediscovers landmark works. Considering avant-garde narratives from the 21st century, the program also celebrates legacies of influential historical figures in a contemporary context. Each evening presents a unique opportunity for audiences to engage in dialogue with artists, along with curators and other guests.
An Evening with Jonathas De Andrade
Monday, April 10, 7:00 p.m., T2
Jonathas De Andrade is a contemporary artist based in Recife, the state capital of Brazil’s northeastern region, a city marked by the contrast between its peasant class and rural traditions, on the one hand, and its status as a quickly developing industrial center and film capital on the other. Working with installation, photography, and video, De Andrade explores the multiple experiences of the city, continuously involving the audience in the process of narrative construction. De Andrade, whose The Uprising (O Levante) is included in the exhibition Unfinished Conversations: New Works from the Collection, will join Thomas J. Lax, Associate Curator in the Museum’s Department of Media and Performance Art, for a discussion about recent and upcoming work.
An Evening with Ian Cheng
Monday, April 24, 7:00 p.m, T2
This screening and discussion with Ian Cheng marks the completion of his Emissaries trilogy, recently acquired by MoMA, and on view at MoMA PS1, April 9–September 10, 2017. Emissaries comprises a trio of Cheng’s “live simulations,” animations that explore the evolution of cognition and the ecological conditions that shape it. Composed of three interconnected episodes, Cheng’s trilogy centers on the lives of emissary figures who attempt to enact narrative goals within a simulated ecology, a volcanic landscape that evolves from the ancient past to the distant future. Using video game engines, Cheng produces a non-looping, infinitely generating series of visual combinations with infinite duration and variability. Eschewing the fidelity to photorealistic imagery often prioritized in digital image production, Cheng’s simulations map behavioral movements that unfold in real time and result in an entirely new approach to image making. The screening is followed by a discussion with the artist and a range of speakers, moderated by Stuart Comer, Chief Curator, Department of Media and Performance Art.
An Evening with Molly Lowe
Monday, May 8, 7:00 p.m., T2
Molly Lowe, a New York–based filmmaker, sculptor, painter, and performance artist, presents the theatrical premieres of her recent films Redwood (2016, commissioned by Pioneer Works) and Formed (2013). In Redwood, a sensuous intermingling of sci-fi conjecture and family portraiture, masks and ritualistic movements—like those in Japanese Noh theater and the films of Maya Deren—are a stylized rictus of pleasure, fear, and pain. What endures, Lowe asks, when our bodies age and our minds become a tangle of memory and desire? What do we pass on to our daughters and granddaughters through our genes and through the stories we tell? Formed is a Surrealist grotesquerie involving squishy eggs, Spandex, and a wayward computer mouse; protuberant sticky tongues and cavernous orifices; cries of joy and sadness; and bodies groping, yearning, and pratfalling in the limelight.
Organized by the Department of Film and the Department of Media and Performance Art.
Opens June 26, 2016
This installation brings together a selection of sculptures from the Museum’s collection made in the 1960s, extending to the Sculpture Garden the current organizing principle of the Museum’s fourth-floor collection galleries. Included are David Smith’s Cubi X (1963), an abstract construction of stainless steel geometric forms that evokes the human figure, and Alexander Calder’s Sandy’s Butterfly (1964), a 13-foot-tall colorful steel sculpture with a mobile top that the artist gave to MoMA in 1966. These works join longtime Sculpture Garden inhabitants, such as Barnett Newman’s Broken Obelisk (1967). Favorites like Pablo Picasso’s She Goat (1950) and Aristide Maillol’s The River (1943) will remain on view alongside these works from the 1960s.
October 17, 2016
The Museum of Modern Art announced that it has received a major gift from the Colección Patricia Phelps de Cisneros, which will add more than 100 works of modern art by major artists from Latin America to the Museum’s collection, and establish the Patricia Phelps de Cisneros Research Institute for the Study of Art from Latin America. The Cisneros Institute will be dedicated to an expansive approach to the study and interpretation of modern and contemporary art from Latin America.
The gift includes 102 paintings, sculptures, and works on paper, made between the 1940s and the 1990s by 37 artists working in Brazil, Venezuela, and the Río de la Plata region of Argentina and Uruguay, including Lygia Clark, Hélio Oiticica, Lygia Pape, Jesús Rafael Soto, Alejandro Otero, and Tomás Maldonado. They join 40 works previously given by Patricia and Gustavo Cisneros over the last 16 years; Mrs. Cisneros is a longtime MoMA Trustee and a member of several acquisitions and funding committees, including the Latin American and Caribbean Fund, of which she is chairman and founder.
The Cisneros Institute, to be located on MoMA’s Midtown Manhattan campus, will offer opportunities for curatorial research and travel, host visiting scholars and artists, convene an annual international conference, and produce research publications on art from Latin America. It is poised to become the preeminent research center in the field, building on MoMA’s history of collecting, exhibiting, and studying the art and artists of the region, dating back to 1931. Today, MoMA’s collection includes more than 5,000 works by artists from Latin America.
The breadth of this gift is unprecedented, and the accompanying research initiative devoted to the study of the works and their integration into the overall narrative of modern art will greatly enrich MoMA’s collection and scholarly activities. As an integral program of The Museum of Modern Art, the Cisneros Institute represents a singular commitment to the region, and will foster intensive research on and engagement with the region’s art and artists.
For more information and a full list of works, please visit: www.moma.org/collection/works/groups/cisneros
May 6–Summer 2017
The Donald B. and Catherine C. Marron Atrium
The Museum of Modern Art will display Static (2009), a recently acquired digital projection of a 35mm film by the artist and filmmaker Steve McQueen (British, born 1969), in The Donald B. and Catherine C. Marron Atrium from May 6 through summer 2017. The installation is part of MoMA’s ongoing Inbox series, which highlights new acquisitions to the Museum’s collection. Shot from a helicopter circling the Statue of Liberty on Liberty Island, in New York Harbor, the film captures Lady Liberty both in furtive, detailed close-ups and from a greater remove. As suggested by the work’s title, the statue remains fixed, intended to be gazed at from afar, even as the many perspectives from which it is encountered are subject to change. Accompanied by the roaring sound of the helicopter blades, the piece is marked by unease and uncertainty, showcasing and scrutinizing one of the most iconic symbols of the US within the urban surroundings of New York City and New Jersey. This is the first time Static will be shown on the scale of a major civic space. The film was made in 2009 to coincide with President Barack Obama’s motion to reopen the Statue of Liberty to the public on July 4th as a special gift to the US after the monument’s eight-year closure following the attacks of September 11, 2001.
Inbox is an ongoing series of installations that began in 2014 to showcase new additions to MoMA’s collection. The Museum’s first brochure in 1929 outlined its “ultimate purpose” as “to acquire, from time to time, (either by gift of by purchase) a collection of the best modern works of art.” This process remains central to the Museum’s mission and, as such, MoMA acquires a diverse selection of modern and contemporary artworks every year. Previous Inbox installations have included: Inbox: Jasper Johns, Inbox: The Original Emoji, by Shigetaka Kurita, Inbox: August Sander, Inbox: Channa Horwitz, Inbox: Glenn Ligon, and Inbox: Haegue Yang, Spice Moons.
Organized by the Department of Media and Performance Art.
Images of MoMA PS1’s building are located through Press Access.
April 9, 2017
British artist and writer Hannah Black will present a new performance work, OR LIFE OR, as the 2017 VW Sunday Sessions Commission on April 9. A collaboration with composer and musician Bonaventure and artist and designer Ebba Fransén Waldhör, OR LIFE OR takes place within a site-specific, immersive environment in the VW Dome.
This is a new iteration of an ongoing performance work which has previously been staged at the Institute of Contemporary Arts in London, at the Berlin Biennale, and at mumok in Vienna. The text, performance and set are loosely based around a constellation of reference points: a superhero figure called Anxietina, the Wikipedia entry for “life,” theories of political struggle, and the twin spectres of apocalypse and ancestry. The performance takes place in an environment conceived by Black and Waldhör that features colored reflective pools, laser projected extracts from the script, and handcrafted banners.
MoMA PS1’s acclaimed VW Sunday Sessions program welcomes visitors to experience art live and in real time. Embracing performance, music, dance, conversations, and moving images the program vividly demonstrates how these art forms can push us to engage with our contemporary world in creative, illuminating ways. With an emphasis on artistic practices that blur and break traditional genre boundaries, the program supports and commissions new work, inviting artists, curators, and other cultural instigators to share their latest projects.
VW Sunday Sessions is organized by Jenny Schlenzka, Associate Curator with Alex Sloane, Curatorial Assistant; Taja Cheek, Curatorial Assistant; Rosey Selig-Addiss, Associate Producer; and Lucy Lie, Production Coordinator.
VW Sunday Sessions and the VW Dome at MoMA PS1 are made possible by a partnership with Volkswagen of America, who have supported the program for five years since its inception.
The Alfred H. Barr Painting and Sculpture Galleries feature on the fifth floor roughly span the years 1880 to 1940. Within an overall chronological flow, galleries highlight individual stylistic movements, artists, and themes, including Post-Impressionism, Cubism, the work of Henri Matisse, Claude Monet’s Water Lilies, and Surrealism, among other subjects. An ongoing program of periodic reinstallations allows the curators to present a wide range of artworks in various configurations, reflecting the view that there are countless ways to explore the history of modern art and the Museum’s rich collection.
BRUCE CONNER: IT’S ALL TRUE
Museo Nacional Centro de Arte Reina Sofia, Madrid, Spain
February 21–May 22, 2017
Marcel Broodthaers: A Retrospective
Kunstsammlung Nordrhein-Westfalen (KNW), Düsseldorf, Germany
March 4–June 11, 2017
The Paris of Toulouse-Lautrec: Prints and Posters from the Museum of Modern Art
Chrysler Museum of Art, Norfolk, Virgina
March 10–June 18, 2017
Currier Museum of Art, Manchester, New Hampshire
September 30–April 9, 2017
Tate Modern, London, England
November 30, 2016–April 9, 2017
The San Francisco Museum of Modern Art, San Francisco, California
November 4, 2017–March 25, 2018
Masterworks from MoMA
National Gallery of Victoria, Melbourne, Australia
June 8–October 7, 2018
With its international partnerships, Young Architects Program (YAP) offers selected young designers and architects across the globe the opportunity to create designs that promote diverse uses such as rest, play, and relaxation as well as hosting a series of live events such as shows, music, dance, exhibitions, and performances. In addition architects are encouraged to address environmental issues, including sustainability and recycling, to create highly innovative projects that provide shade, seating, and water. To achieve these goals, MoMA and MoMA PS1 are currently partnering with the National Museum of XXI Century Arts (MAXXI) in Rome, CONSTRUCTO in Chile, and Istanbul Modern in Turkey (on a biennial cycle).
In May 2014, The Museum of Modern Art, MoMA PS1, and the National Museum of Modern and Contemporary Art (MMCA) in Seoul announced a new partnership that further expands the international YAP to South Korea. YAP Korea provides opportunities for emerging architects in South Korea to create temporary exterior installations for summer programming at the MMCA.
A dedicated YAP International website, MoMA.org/yap, features the selected proposals and designs from the winner of YAP International. The website also includes an archive of past MoMA/MoMA PS1 YAP finalists and winning proposals, interviews with the curators, and installation videos.