Advance Schedule of Exhibitions for MoMA & MoMA PS1

Please note that exhibitions are subject to change. 

Click here for a list of our touring or off-site exhibitions. 

Check the Press Release Archives for past exhibitions.

High-resolution images for publication are available through our password-protected Press Access.
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Tomáš Rafa: New Nationalisms

April 9–September 10, 2017

MoMA PS1

MoMA PS1 presents Tomáš Rafa: New Nationalisms, an exhibition featuring the work of the Slovakian artist and documentary filmmaker. Since 2009, Rafa (b. Žilina, 1979) has employed the methods of cinéma verité to document what he refers to as “new nationalisms” across Central Europe, creating vivid and stirring portraits of the resurgence of extreme right-wing, xenophobic, and neo-fascist groups in the region.

The exhibition is organized by Peter Eleey, Chief Curator, MoMA PS1; and Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art.

 

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Past Skin

April 9–September 10, 2017

MoMA PS1

In today’s technological environment, we can style, extend, and broadcast ourselves at will, projecting into digital realms that in turn shape us. The six artists in Past Skin take up science historian and cyber-feminist Donna Haraway’s provocation, “Why should our body end at the skin?,” testing the growing porosity between our bodies and habitats in a contemporary world where virtuality is ubiquitous and surreality is increasingly normalized. As much as we exert influence on our bodies and surroundings, the technologies that enable this influence also influence us. No longer simply “users” of technology, we become players renegotiating the stakes of our world, engineering natural and synthetic environments to fulfill social imperatives and emotional needs. Featuring 20 works across a variety of media—including painting, sculpture, drawing, sound, video, and virtual reality—by artists Cui Jie, Jordan Kasey, Hannah Levy, Abigail Lucien, Jillian Mayer, MSHR, and Madelon Vriesendorp, Past Skin highlights works that merge figures with landscapes to examine the state of the contemporary body in and beyond nature.

Past Skin is organized by Jocelyn Miller, Curatorial Associate, MoMA PS1.

 

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A BIT OF MATTER: The MoMA PS1 Archives, 1976–2000

April 9–September 10, 2017

MoMA PS1

MoMA PS1 presents A BIT OF MATTER: The MoMA PS1 Archives, 1976-2000, a selection of archival materials documenting the vast array of artists who worked and exhibited in the museum’s building over the course of its first 25 years. Surveying a period that spans from the institution’s inaugural 1976 exhibition Rooms to its merger with The Museum of Modern Art in 2000, the exhibition brings together hundreds of objects drawn from the MoMA PS1 Archives, including artist’s proposals, exhibition posters, photographs, correspondence, flyers, postcards, residency applications, and other ephemera.

The exhibition is organized by Peter Eleey, Chief Curator, MoMA PS1; Oliver Shultz, Curatorial Assistant, MoMA PS1; and Jonathan Lill, Leon Levy Foundation Project Manager, The Museum of Modern Art.

 

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Frank Lloyd Wright at 150: Unpacking the Archive

June 12, 2017–October 01, 2017

Floor Three, The Robert B. Menschel Galleries

Press Preview: Thursday, June 8, 9:30-11:30 a.m., with remarks to follow in theater. Watch video of the remarks.

Frank Lloyd Wright at 150: Unpacking the Archive is a major exhibition on Frank Lloyd Wright that critically engages his multifaceted practice. Wright was one of the most prolific and renowned architects of the 20th century, a radical designer and intellectual who embraced new technologies and materials, pioneered do-it-yourself construction systems as well as avant-garde experimentation, and advanced original theories with regards to nature, urban planning, and social politics. Marking the 150th anniversary of the American architect’s birth on June 8, 1867, the exhibition will comprise nearly 400 works made from the 1890s through the 1950s, including architectural drawings, models, building fragments, films, television broadcasts, print media, furniture, tableware, textiles, paintings, and photographs, along with a number of works that have rarely or never been publicly exhibited. Structured as an anthology rather than a comprehensive, monographic presentation of Wright’s work, the exhibition is divided into 12 sections, each of which investigates a key object or cluster of objects from the Frank Lloyd Wright Foundation Archives, interpreting and contextualizing it, as well as juxtaposing it with other works from the Archives, from MoMA, or from outside collections. The exhibition seeks to open up Wright’s work to critical inquiry and debate, and to introduce experts and general audiences alike to new angles and interpretations of this extraordinary architect.

Frank Lloyd Wright at 150: Unpacking the Archive is organized by The Museum of Modern Art, New York, and Avery Architectural & Fine Arts Library, Columbia University.

Organized by Barry Bergdoll, Curator, Department of Architecture and Design, The Museum of Modern Art, and the Meyer Schapiro Professor of Art History and Archaeology, Columbia University; with Jennifer Gray, Project Research Assistant, Department of Architecture and Design, The Museum of Modern Art.

The exhibition is made possible by Hyundai Card.

Generous funding is provided by Sue and Edgar Wachenheim III and by the Graham Foundation for Advanced Studies in the Fine Arts.

Paint provided by Farrow & Ball.

Additional support is provided by the Annual Exhibition Fund.

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Young Architects Program 2017: Lumen by Jenny Sabin Studio

June 29, 2017–September 04, 2017

MoMA PS1

Lumen, an immersive, interactive installation by Jenny Sabin Studio, will be on view in MoMA PS1’s courtyard beginning June 29. Winner of The Museum of Modern Art and MoMA PS1’s annual Young Architects Program, this year’s structure evolves over the course of the day, with responsive textiles that display subtle color in sunlight and emit glowing light after sundown. Lumen serves as the setting for the 20th season of Warm Up, MoMA PS1’s pioneering outdoor music series, incorporating a custom lighting program to complement these vibrant, popular events. Lumen will remain on view through the summer.

Made of over 1,000,000 yards of digitally knitted and robotically woven fiber, Lumen features two large-scale cellular canopies with 250 hanging tubular structures that create opportunities for visitors to interact with the work. The design incorporates 100 robotically woven recycled spool stools and a misting system that responds to visitors’ proximity to produce a refreshing micro-climate. Socially and environmentally responsive, Lumen’s adaptive architecture is inspired by collective levity, play, and interaction as the structure transforms throughout the day and night, responding to the density of bodies, heat, and sunlight. The result of collaboration across disciplines, Lumen applies insights and theories from biology, materials science, mathematics, and engineering—integrating high-performing, formfitting, and adaptive materials into a structure where code, pattern, human interaction, environment, geometry, and matter operate together.

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Landmark 20th Season of Warm Up Begins July 1

July 01, 2017–September 02, 2017

 

MoMA PS1’s pioneering outdoor music series Warm Up celebrates its 20th season in 2017, with ten Saturdays presenting the best in live and electronic music—both local and global—across a range of genres. Warm Up 2017 begins on Saturday, July 1 and runs through Saturday, September 2, featuring a to-be-announced lineup of emerging and established artists as part of an ambitious and wide-ranging program.

Advance tickets are now available for all Warm Up 2017 dates. In celebration of Warm Up’s founding year, MoMA PS1 will offer a special “1998” ticket package providing access to all ten dates for only $98, available for a limited time only. Full ticketing information can be found within the full press release, in the press kit section of this page, or at mo.ma/warmup .

Over its 20 seasons, Warm Up has featured more than 750 artists, including pop artists Solange, Jamie XX, and Grimes, experimental musicians Arca, Black Dice, and Four Tet, and legendary DJs like DJ Premier, Ritchie Hawtin, and Derrick May. One of the longest-running music programs within a museum, Warm Up has a history of supporting seminal artists before they come to prominence and providing a platform for experimentation, unique collaborations, and new material. 

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Stanya Kahn: Stand in the Stream

July 08, 2017–September 04, 2017

MoMA PS1

In Stand in the Stream, Stanya Kahn weaves together deeply personal and emphatically political imagery into a meditation on intimacy, alienation, and resistance. Both a work of mourning and a call to action, the film is also a documentary portrait of four generations of Kahn’s family: her grandmother, her mother, her son, and herself. MoMA PS1’s exhibition is the New York premiere and first museum presentation of this work.

Built from footage Kahn shot primarily over the past six years, Stand in the Stream records the artist in the act of both living and seeing, culminating in her activist mother’s decline into dementia and eventual death in 2015, and in events leading up to and surrounding the 2016 U.S. Presidential election. In a rhythmic flow of images, punctuated by irruptions of protest, solidarity, and violence, Kahn’s film charts the intersection between private and public life in today’s America.

The film’s title refers both to the stream of digital images and to Bertolt Brecht’s play, Man Equals Man, which deals with the ways in which human beings are instrumentalized in the manner of machines. As Kahn connects to random strangers in internet chatrooms while wearing Halloween monster masks, or voyeuristically records anonymous riders on the subway, she plays with distinctions between the intimacy of family and the estrangement of contemporary life.

The film’s sound design includes original compositions by Kahn and by musician/composer Alexia Riner. All footage is shot live or livestream screen-recorded in real time.

This presentation is organized by Klaus Biesenbach, Director, MoMA PS1, and Chief Curator at Large, The Museum of Modern Art.

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Projects 107: Lone Wolf Recital Corps

August 19, 2017–October 09, 2017

Floor Three, The Philip Johnson Galleries

The Museum of Modern Art presents Projects 107: Lone Wolf Recital Corps. The Lone Wolf Recital Corps, a multidisciplinary performance collective founded in 1986 by artist and musician Terry Adkins (American, 1953–2014), consists of an evolving cast of collaborators in various musical and visual arts disciplines. During Adkins’s lifetime the Corps performed within and in conjunction with Adkins’s exhibitions; described by Adkins as “recitals,” these performances incorporated spoken word, live music, video projection, and costumed, choreographed movement. For Adkins, these events were part of “an ongoing quest to reinsert the legacies of unheralded immortal figures to their rightful place within the panorama of history.” Recitals, which Adkins orchestrated with the Corps through collective improvisation, have commemorated and celebrated such figures as abolitionist John Brown, musician John Coltrane, explorer Matthew Henson, and singer Bessie Smith.

Projects 107 is the first exhibition to reunite the Lone Wolf Recital Corps since Adkins’s death. In addition to a selection of Adkins’s sculptures, performance props and paraphernalia, and documentary videos of recitals, Projects 107 features a series of live performances by the Corps. The performance program brings together an intergenerational roster of artists and musicians in the Lone Wolf Recital Corps: Sanford Biggers, Juini Booth, Blanche Bruce, Vincent Chancey, Arthur Flowers, Charles Gaines, Dick Griffin, Tyehimba Jess, Rashid Johnson, Cavassa Nickens, Demetrius Oliver, Clifford Owens, Kamau Amu Patton, Marshall Sealy, Dread Scott, Jamaaladeen Tacuma, and Kiane Zawadi; and others, including Da’Niro Elle Brown, Zachary Fabri, LaMont Hamilton, Jason Moran, and Kambui Olujimi.

Organized by Akili Tommasino, Curatorial Assistant, Department of Painting and Sculpture.

The Elaine Dannheisser Projects Series is made possible in part by the Elaine Dannheisser Foundation and The Junior Associates of The Museum of Modern Art.

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Max Ernst: Beyond Painting

September 23, 2017–January 01, 2018

Floor Two, The Paul J. Sachs Galleries

This exhibition surveys the career of the preeminent Dada and Surrealist artist Max Ernst (French and American, born Germany. 1891–1976), with particular emphasis on his ceaseless experimentation. Ernst began his pursuit of radical new techniques that went “beyond painting” to articulate the irrational and unexplainable in the wake of World War I, continuing through the advent and aftermath of World War II. Featuring approximately 100 works drawn from the Museum’s collection, the exhibition includes paintings that challenged material and compositional conventions; collages and overpaintings utilizing found printed reproductions; frottages (rubbings); illustrated books and collage novels; sculptures of painted stone and bronze; and prints made using a range of techniques. Several major, multipart projects represent key moments in Ernst’s long career, ranging from early Dada and Surrealist portfolios of the late 1910s and 1920s to his late masterpiece—a recent acquisition to MoMA’s collection—65 Maximiliana, ou l’exercice illégale de l’astronomie (1964). This illustrated book comprises 34 aquatints complemented by imaginative typographic designs and a secret hieroglyphic script of the artist’s own invention.

Organized by Starr Figura, Curator, Department of Drawings and Prints, and Anne Umland, The Blanchette Hooker Rockefeller Curator of Painting and Sculpture, with Talia Kwartler, Curatorial Assistant, Department of Painting and Sculpture.

 

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Louise Bourgeois: An Unfolding Portrait

September 24, 2017–January 28, 2018

Floor Three, The Edward Steichen Galleries, and Floor Two, The Donald B. and Catherine C. Marron Atrium

Press Preview: Tuesday, September 19, 9:30-11:30 a.m., with remarks to follow.

Remarks will be livestreamed.

Louise Bourgeois: An Unfolding Portrait explores the prints, books, and creative process of the celebrated sculptor Louise Bourgeois (1911–2010). Bourgeois’s printed oeuvre, a little-known aspect of her work, is vast in scope and comprises some 1,200 printed compositions, created primarily in the last two decades of her life but also at the beginning of her career, in the 1940s. The Museum of Modern Art has a prized archive of this material, and the exhibition will highlight works from the collection along with rarely seen loans. A special installation will fill the Museum’s Marron Atrium.

The artist’s creative process is the organizing principle behind the exhibition. Over the course of her career, Bourgeois constantly revisited the themes of her art, all of which emerged from emotions she struggled with for a lifetime. Also, she said there was no “rivalry” between the mediums in which she worked, noting that “they say the same thing in different ways.” Here, her prints and illustrated books will be seen in the context of related sculptures, drawings, and paintings, and within thematic groupings that explore motifs of architecture, the body, and nature, as well as investigations of abstraction and works made from old garments and household fabrics. In addition, the evolving states and variants of her prints will be emphasized in order to reveal Bourgeois’s creative thinking as it unfolded.  

Bringing together some 300 works, the exhibition celebrates the Museum’s archive of Bourgeois prints as well as the completion of the online catalogue raisonné, Louise Bourgeois: The Complete Prints & Books, available in process at moma.org/bourgeoisprints, now documenting over 4,000 printed sheets.

Organized by Deborah Wye, Chief Curator Emerita, Prints and Illustrated Books, with Sewon Kang, Curatorial Assistant, Department of Drawings and Prints.

Major support for the exhibition is provided by the Kenneth C. Griffin Charitable Fund and by Monique M. Schoen Warshaw.

Generous funding is provided by The International Council of The Museum of Modern Art.

Special thanks to The Easton Foundation for its long-standing support of the Louise Bourgeois print archive at The Museum of Modern Art.

Additional support is provided by the Annual Exhibition Fund.

MoMA Audio is supported by Bloomberg Philanthropies.

 

 

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