Advance Schedule of Exhibitions for MoMA & MoMA PS1

Please note that exhibitions are subject to change. 

Click here for a list of our touring or off-site exhibitions. 

Check the Press Release Archives for past exhibitions.

High-resolution images for publication are available through our password-protected Press Access.
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Bodys Isek Kingelez

May 26, 2018–October 21, 2018

Floor Three, The Philip Johnson Galleries

MoMA presents a full retrospective of Bodys Isek Kingelez (1948–2015), the Congolese sculptor who worked with paper, commercial packaging, and materials from everyday life to create what he called “extreme maquettes” that encompass civic buildings, public monuments, and private pavilions. Bodys Isek Kingelez spans the artist’s career over a 25-year period, ranging from early works that were included in the landmark 1989 exhibition Magiciens de la terre at the Centre Pompidou to his streamlined, dramatic forms of the 2000s. The first retrospective of Kingelez’s work, and the first substantial monographic presentation of his work in the US, this exhibition features works from each of the key periods of his career, from early single-building sculptures, to spectacular sprawling cities, to futuristic late works, which incorporate increasingly unorthodox materials. Kingelez was previously featured in the MoMA exhibition Projects 59: Architecture as Metaphor (1997). Although his work has long been featured in major international exhibitions, this will the first opportunity in New York to explore the full breadth of his career. 

The exhibition unfolds as a chronological display with a thematic approach, bringing together works made during the artist’s first trip to Paris in 1989, civic structures, public monuments, and fantastic takes on geographically specific architectural tropes. The installation captures his transition from single buildings to entire metropolises, culminating in a selection of Kingelez’s large-scale cities, marked by soaring forms that characterize much of his late production. The exhibition brings together rarely seen works from both public and private collections. Special thanks to the artist Carsten Höller (German, born 1961), who is developing a visitor experience project in parallel with the exhibition.

Organized by Sarah Suzuki, Curator, with Hillary Reder, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

Major support for the exhibition is provided by The International Council of The Museum of Modern Art.

Generous funding is provided by The Friends of Education of The Museum of Modern Art.

Additional support is provided by the Annual Exhibition Fund.

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Bruce Nauman: Disappearing Acts

October 21, 2018–March 17, 2019

The Museum of Modern Art, The Steven and Alexandra Cohen Center for Special Exhibitions, sixth floor, and MoMA PS1

The Museum of Modern Art and Schaulager, Basel, announce their collaboration on a full retrospective devoted to the work of American artist Bruce Nauman (b. 1941). Opening at Schaulager in March 2018 and traveling to The Museum of Modern Art in October of that year, the exhibition will be the first comprehensive retrospective of the artist’s work across all mediums in over 20 years, and will build upon the rich holdings of the two organizing institutions. Covering his entire career, from the earliest fully realized sculptures of 1965 to his most recent work, the exhibition will provide an opportunity to experience Nauman’s command of a wide range of mediums, from drawing, printmaking, photography, and neon, to performance, video, film, sculpture, and large-scale installations—including Days (2009), a 14-channel sound installation for which Nauman won the Golden Lion for Best National Participation at the Venice Biennial in 2009.

Organized by The Museum of Modern Art, New York, and Laurenz Foundation, Schaulager, Basel.

The exhibition is organized by Kathy Halbreich, Laurenz Foundation Curator and Advisor to the Director, with Heidi Naef, Senior Curator, Schaulager, Basel, and Isabel Friedli, Curator, Schaulager, Basel, Magnus Schaefer, Assistant Curator, and Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

The exhibition is made possible by Laurenz Foundation, Schaulager, Basel.

Major support is provided by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions.

Generous funding is provided by Sully Bonnelly and Robert R. Littman and by Ellen and William Taubman.

Additional support is provided by the Annual Exhibition Fund.

 

 

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