Advance Schedule of Exhibitions for MoMA & MoMA PS1

Please note that exhibitions are subject to change. 

Click here for a list of our touring or off-site exhibitions. 

Check the Press Release Archives for past exhibitions.

High-resolution images for publication are available through our password-protected Press Access.
Print-Friendly Schedule

Charles White: A Retrospective

October 07, 2018–January 13, 2019

Floor Three, The Edward Steichen Galleries

With Charles White: A Retrospective, The Museum of Modern Art and the Art Institute of Chicago present the first major museum exhibition of Charles White’s oeuvre in over 30 years, on view at The Museum of Modern Art from October 7, 2018, through January 13, 2019. Covering the full breadth of his career with over 100 multidisciplinary works, the exhibition features drawings, paintings, prints, photographs, and contextual ephemera. Prior to its MoMA presentation, the exhibition will be on view at the Art Institute of Chicago from June 8 through September 3, 2018. Following its MoMA presentation, the exhibition will travel to the Los Angeles County Museum of Art (LACMA), where it will be on view in Spring 2019.

Beginning in the late 1930s and concluding with White’s premature death in 1979, the exhibition features a detailed overview of his work over a four-decade span of enormous change in the US that provided a constant wellspring of subject matter for the artist. The presentation reveals White as a responsive visual strategist who was open to exploring styles and techniques inspired by contemporary art and culture, and a savvy interpreter of an evolving political climate. White’s commitment to figuration, to directly addressing the social and political concerns of his time, and to mastering mediums that allowed for wide circulation of his art established him as a major figure, and one with significant influence on his peers and followers.

The exhibition is organized chronologically, with groupings centered on the cities and creative communities in which White lived and worked. Each section will be supported by relevant ephemera and supporting materials detailing White’s working process, political and social activities, and role as a teacher.

Charles White: A Retrospective is organized by Esther Adler, Associate Curator, Department of Drawings and Prints; and Sarah Kelly Oehler, Field-McCormick Chair and Curator of American Art, Art Institute of Chicago.

The exhibition is supported at The Museum of Modern Art and at the Art Institute of Chicago by the Terra Foundation for American Art with The Richard H. Driehaus Foundation.

Major support for the New York presentation is provided by The Contemporary Arts Council of The Museum of Modern Art.

Generous funding is provided by The Friends of Education of The Museum of Modern Art.

Additional support is provided by the Annual Exhibition Fund with major contributions from the Estate of Ralph L. Riehle, Alice and Tom Tisch, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Karen and Gary Winnick, The Marella and Giovanni Agnelli Fund for Exhibitions, and Oya and Bülent Eczacıbaşı.

MoMA Audio is supported by Bloomberg Philanthropies.

Share

Bruce Nauman: Disappearing Acts

October 21, 2018–February 18, 2019

The Museum of Modern Art, The Steven and Alexandra Cohen Center for Special Exhibitions, sixth floor, and MoMA PS1

The exhibition is on view at The Museum of Modern Art October 21, 2018–February 18, 2019, and at MoMA PS1 October 21, 2018–February 25, 2019.

The Museum of Modern Art and MoMA PS1 will collaborate on the first comprehensive retrospective in 25 years devoted to the work of American artist Bruce Nauman (b. 1941). Co-organized by The Museum of Modern Art and Schaulager Basel, Bruce Nauman: Disappearing Acts will draw upon the rich holdings of both institutions and over 70 lenders. Encompassing Nauman’s entire career, the exhibition will occupy the Museum’s entire sixth floor and the whole of MoMA PS1. This joint presentation will provide an opportunity to experience Nauman’s command of a wide range of mediums, from drawing, printmaking, photography, and neon to performance, video, film, sculpture, and architecturally scaled environments. The exhibition’s title refers to the manifold appearances of disappearance in the artist’s work. For Nauman, disappearance is both a real phenomenon and an ample metaphor for grappling with the anxieties of both the creative process and of navigating the everyday world.

Since 1970, Nauman has frequently worked on a monumental scale, necessitating this expansive presentation across both of MoMA’s locations. Both venues include works in all mediums and from all phases of Nauman’s career, offering distinct but complementary perspectives on his wide-ranging practice. The characteristics of the two spaces have shaped the curatorial approach to each: the flexibility of The Museum of Modern Art’s sixth-floor exhibition galleries will accommodate six of the artist’s largest works, alongside a representative selection of his production across the decades; while the suite of former classrooms in MoMA PS1’s historic building will house over 120 works in a more traditional retrospective format. At The Museum of Modern Art, the exhibition moves swiftly from Nauman’s early work examining his own body to works that directly involve the viewer, who must navigate a series of room-sized installations that dictate movement and stress the senses. At MoMA PS1, Disappearing Acts will unfold chronologically, but with strategic interruptions to highlight consistencies in a seemingly disparate body of work, as Nauman revisits earlier motifs and concerns with new urgency.

Organized by The Museum of Modern Art, New York, and Laurenz Foundation, Schaulager Basel.

The exhibition is organized by Kathy Halbreich, Laurenz Foundation Curator and Advisor to the Director, The Museum of Modern Art; with Heidi Naef, Chief Curator, and Isabel Friedli, Curator, Schaulager Basel; and Magnus Schaefer, Assistant Curator, and Taylor Walsh, Curatorial Assistant, Department of Drawings and Prints, The Museum of Modern Art.

The exhibition is made possible by the Laurenz Foundation, Schaulager Basel.

Leadership support is provided by The Sandra and Tony Tamer Exhibition Fund.

Major support is provided by The International Council of The Museum of Modern Art and by The Jill and Peter Kraus Endowed Fund for Contemporary Exhibitions.

Generous funding is provided by The Hayden Family Foundation, Sully Bonnelly and Robert R. Littman, Ellen and William Taubman, and by The Contemporary Arts Council of The Museum of Modern Art.

Additional support is provided by the MoMA PS1 Annual Exhibition Fund and by The Museum of Modern Art’s Annual Exhibition Fund with major contributions from the Estate of Ralph L. Riehle, Alice and Tom Tisch, Mimi and Peter Haas Fund, Brett and Daniel Sundheim, Karen and Gary Winnick, The Marella and Giovanni Agnelli Fund for Exhibitions, and Oya and Bülent Eczacıbaşı.

 

 

 

Share