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(Never) As I Was: Studio Museum Artists in Residence 2020-21

November 18, 2021 – February 27, 2022

MoMA PS1

The Studio Museum in Harlem’s annual Artist-in-Residence exhibition will be on view at MoMA PS1 from November 18, 2021 to February 27, 2022. Part of an ongoing collaboration between the Studio Museum, The Museum of Modern Art and PS1, (Never) as I Was: Studio Museum Artists in Residence 2020–21 will feature new work by the 2020–21 cohort of the Studio Museum’s foundational residency program, artists Widline Cadet (b. 1992, Pétion-Ville, Haiti), Texas Isaiah (b. Brooklyn, NY), Genesis Jerez (b. 1993, Bronx, NY) and Jacolby Satterwhite (b. 1986, Columbia, SC). In response to the seismic impacts of the ongoing COVID-19 pandemic, for the first time in the Studio Museum’s history the artists participated entirely in remote form for the duration of the residency.

With practices spanning new media, painting, sculpture, and photography these artists propose dynamic ways of experiencing time, space, and locality set into this current moment of complex transformation. Widline Cadet’s photo and video work examines intergenerational memory, selfhood, and erasure within the diasporic experience. Texas Isaiah offers a space for mourning, celebration, prayer, and remembrance, asserting the significance of imagination in the abolition of gender while exploring the healing capacity of rest as a place of connection. Genesis Jerez’s collaged paintings layer family photographs, oil paint, and charcoal to create works that interrogate her own personal histories and reckon with questions of diasporic fracture. Jacolby Satterwhite’s multidimensional installation sees the artist’s return to painting, engaging fantasy and surrealism as a coping mechanism for healing and flaying open an existential psychic space for imagining transcendent futures. With communication deeply mediated by the digital, each artist took on the challenge of recharting the territories of domestic, social, and studio space. The outcomes are tender and lyrical explorations of family histories, memoir, spirituality, and memory.

(Never) As I Was is organized by Legacy Russell, former Associate Curator, Exhibitions, The Studio Museum in Harlem (now Executive Director & Chief Curator, The Kitchen), with Yelena Keller, Curatorial Assistant, Exhibitions, The Studio Museum in Harlem, and Jody Graf, Assistant Curator, MoMA PS1. Exhibition research is provided by Angelique Rosales Salgado, former The Studio Museum in Harlem and MoMA Curatorial Fellow, and Elana Bridges, former Mellon Curatorial Fellow, The Studio Museum in Harlem. 

Support for (Never) as I Was at MoMA PS1 is generously provided by the Tom Slaughter Exhibition Fund and the MoMA PS1 Trustee Annual Fund.

The Studio Museum in Harlem’s Artist-in-Residence program is supported by the National Endowment for the Arts; New York State Council on the Arts; Doris Duke Charitable Foundation; Jerome Foundation; Milton and Sally Avery Arts Foundation; and by endowments established by the Andrea Frank Foundation, the Jacob and Gwendolyn Knight Lawrence Trust, and Rockefeller Brothers Fund. Additional support is generously provided by The New York City Department of Cultural Affairs.

 

Press Kit

Images

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Widline Cadet. Jiskaske Enfinite Vini Nan Yon Fen (Until Infinity Comes To An End). 2021. Archival Inkjet Print, Artist Frame, 32 x 40 in. Courtesy the artist 

The Studio Museum in Harlem 2020⁠–21 Artist in Residence Widline Cadet. Photo: Bradley Ogbonna.

Texas Isaiah. A RETURN TO EARTH IN PRAYER. 2021. Archival Pigment Print, 45 x 55.8 in. Courtesy the artist

The Studio Museum in Harlem 2020⁠–21 Artist in Residence Texas Isaiah. Photo: Texas Isaiah.

Genesis Jerez. Four Pitcher Plants. 2021.
Charcoal, paper and oil on linen, 72 x 50 in. Courtesy the artist

The Studio Museum in Harlem 2020⁠–21 Artist in Residence Genesis Jerez. Photo: Bradley Ogbonna.

Jacolby Satterwhite. The Father. 2021.
Oil on canvas, 38 x 40 in. Courtesy the artist

The Studio Museum in Harlem 2020⁠–21 Artist in Residence Jacolby Satterwhite. Photo: Bradley Ogbonna.