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Betye Saar: The Legends of
Black Girl’s Window

October 21, 2019 – January 4, 2020

The Museum of Modern Art

The Museum of Modern Art announces Betye Saar: The Legends of Black Girl’s Window, an in-depth solo exhibition exploring the deep ties between the artist’s iconic autobiographical assemblage Black Girl’s Window (1969) and her rare, early prints, made during the 1960s. On view from October 21, 2019, through January 4, 2020, Betye Saar: The Legends of Black Girl’s Window is drawn almost entirely from the Museum’s collection, and highlights the recent acquisition of 42 works on paper that provide an overview of Saar’s sophisticated, experimental print practice. The exhibition engages with the themes of family, history, and mysticism, which have been at the core of Saar’s work from its earliest days, and traces a link from her printmaking to the assemblages for which she is best known today. Betye Saar: The Legends of Black Girl’s Window is organized by Christophe Cherix, The Robert Lehman Foundation Chief Curator, and Esther Adler, Associate Curator, with Ana Torok, Curatorial Assistant, and Nectar Knuckles, Curatorial Fellow, Department of Drawings and Prints, The Museum of Modern Art.

Major support of the exhibition is provided by The Modern Women’s Fund. 

Generous funding is provided by the Alice L. Walton Foundation and the Robert Lehman Foundation.

Additional support is provided by The Friends of Education of The Museum of Modern Art.

MoMA Audio is supported by Bloomberg Philanthropies.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by the Kate W. Cassidy Foundation, Sue and Edgar Wachenheim III, Mimi and Peter Haas Fund, Jerry I. Speyer and Katherine G. Farley, Eva and Glenn Dubin, The Sandra and Tony Tamer Exhibition Fund, Alice and Tom Tisch, The David Rockefeller Council, The Contemporary Arts Council, Anne Dias, Kathy and Richard S. Fuld, Jr., Kenneth C. Griffin, The Keith Haring Foundation, Marie-Josée and Henry R. Kravis, Jo Carole and Ronald S. Lauder, and Anna Marie and Robert F. Shapiro. 

Major contributions to the Annual Exhibition Fund are provided by the Estate of Ralph L. Riehle, Emily Rauh Pulitzer, Brett and Daniel Sundheim, Karen and Gary Winnick, The Marella and Giovanni Agnelli Fund for Exhibitions, Clarissa Alcock and Edgar Bronfman, Jr., Agnes Gund, and Oya and Bülent Eczacıbaşı.

Press Kit

Images

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Betye Saar. To Catch a Unicorn. 1960. Etching and aquatint with watercolor additions plate: 14 3/4 × 8″ (37.5 × 20.3 cm); sheet: 16 3/4 × 9 7/16″ (42.6 × 24 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

Betye Saar. Anticipation. 1961. Screenprint, image: 18 1/8 × 14 7/16″ (46.1 × 36.7 cm); sheet: 21 11/16 × 16 15/16″ (55.1 × 43.1 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

Betye Saar. Lo, The Mystique City. 1965. Etching with embossing, image: 18 1/2 × 19 13/16″ (47 × 50.4 cm); sheet: 19 13/16 × 22 15/16″ (50.3 × 58.3 cm). The Museum of Modern Art, New York. The Candace King Weir Endowment for Women Artists. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

Betye Saar. Black Girl’s Window. 1969. Wooden window frame with paint, cut-and-pasted printed and painted papers, daguerreotype, lenticular print, and plastic figurine, 35 3/4 × 18 × 1 1/2″ (90.8 × 45.7 × 3.8 cm). The Museum of Modern Art, New York. Gift of Candace King Weir through The Modern Women’s Fund, and Committee on Painting and Sculpture Funds. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles. Digital Image © 2018 The Museum of Modern Art, New York, Photo by Rob Gerhardt

Betye Saar holding Black Girl’s Window at her Laurel Canyon Studio, Los Angeles, California, 1970. Courtesy of the artist and Roberts Projects, Los Angeles, California, Photo Bob Nakamura. © 2019 Betye Saar, courtesy the artist and Robert Projects, Los Angeles

Michele Mattei. Betye Saar. 2012. The Museum of Modern Art Archives, New York. © Michele Mattei. © 2019 Betye Saar, courtesy the artist and Roberts Projects, Los Angeles

Betye Saar at her Laurel Canyon Studio, Los Angeles, California, 2019. Courtesy of the artist and Roberts Projects, Los Angeles, California. Photo David Sprague