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Beth B Retrospective

September 13, 2022 – September 25, 2022

The Museum of Modern Art

Beth B exploded onto the New York art and film scene in the late 1970s, after receiving her BFA from the School of Visual Arts in 1977. Her prolific career is characterized by work that challenges society’s conventions, with a particular focus on social issues and human rights. In the years following her legendary partnership with Scott B in the Downtown New York small-gauge filmmaking scene, B has produced over 30 documentary, experimental, and narrative films, as well as interdisciplinary work that has been shown in galleries and museums throughout the world.

MoMA’s Beth B Retrospective includes her two big-screen narrative films: Two Small Bodies (1994), based on Neal Bell’s play and starring Suzy Amis and the late Fred Ward, and Salvation! (1987), a sharp-edged social satire with Viggo Mortensen and Exene Cervenka that prefigured pop culture’s recent fascination with televangelism. The series pays particular attention to B’s documentaries, a form in which she excels along unconventional lines. Notable examples include Breathe In/Breathe Out (2000), about war and trauma, which was originally broadcast on German, Swiss, and Austrian Television; Voices Unheard, a riveting study of the incarceration and treatment of juvenile sex offenders, which premiered at MoMA in 1998; and her provocative look at gender reality and fantasy, Visiting Desire (1996). Series highlights include the premiere screening of her latest short video, Glowing Woman (2022), as well as the theatrical premiere of 17 titles newly restored by Kino-Lorber.

Among her most innovative works are films and tapes that merge documentary and fiction. The award-winning video Belladonna (1989), a collaboration with artist Ida Applebroog, is a brutal testimony on violence, sex, and family relations. Thanatopsis (1991), written by and featuring Lydia Lunch, is a disturbing yet poetic meditation on war and personal resistance. Stigmata (1991), a documentary about drug abuse and recovery, articulates internal anguish with a vividness that is both haunting and chilling. And High Heel Nights (1993) is a documentary about drag and the transformation of the body. The series also includes video pieces originally created as commissions for installation, including Hysteria (2001), Amnesia (1991), Under Lock and Key (1993), and Out of Sight/Out of Mind (1995). In 2021, Kino Lorber Distribution acquired Beth B’s entire catalogue of films for restoration and distribution. Their cooperation in the organization of this series is gratefully acknowledged.

Presented in conjunction with The Films of Beth B and Scott B.

Organized by Ron Magliozzi, Curator, Department of Film, The Museum of Modern Art. 

 

Film at MoMA is made possible by CHANEL.

Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston. 

Images

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Salvation! 1987. Directed by Beth B. Photograph by Frank Ockenfels III.

Breathe In/Breathe Out. 2001. US. Written and directed by Beth B. Courtesy of Kino Lorber

Call Her Applebroog. 2016. US. Directed by Beth B. Courtesy of Kino Lorber

Exposed. 2013. US. Directed by Beth B. Courtesy of Kino Lorber

Lydia Lunch – The War is Never Over. 2020. US. Directed by Beth B. Courtesy of Kino Lorber

Salvation! Have You Said Your Prayers Today? 1987. US. Directed by Beth B. Courtesy of Kino Lorber

Thanatopsis. 1991. US. Directed by Beth B. Courtesy of Kino Lorber

Two Small Bodies. 1993. US. Directed by Beth B. Courtesy of Kino Lorber

Visiting Desire. 1996. US. Written and directed by Beth B. Courtesy of Kino Lorber