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The Museum of Modern Art’s annual Modern Mondays series, which celebrates moving-image experimentation and innovation, will return in September 2025, and will continue through May 2026. The series welcomes an international and intergenerational roster of artists, working at the forefront of the medium, to share their work with an intimate audience at MoMA.
This long-running screening series builds upon the legacy of MoMA’s Cineprobe (1968-2002) and Video Viewpoints (1978-2002) programs, and each evening presents a unique opportunity for audiences to engage in dialogue with the artists, along with curators and other guests. Often premiering new films or building on concurrent MoMA exhibitions through in-depth dialogue, Modern Mondays is a platform for both emerging artists and trailblazing figures shaping moving-image culture today.
Fall-Winter 2025 programs:
September 15: An Evening with Ufuoma Essi
September 22: An Evening with Valentin Noujaim
October 6: An Evening with Samia Halaby
October 13: An Evening with Vaginal Davis
November 3: An Evening with Laura Huertas Millán
November 17: An Evening with Stephen Prina
December 8: An Evening with Suneil Sanzgiri
All programs take place in MoMA’s Roy and Niuta Titus Theaters at 7:00 p.m. on selected Monday evenings. Tickets go on sale beginning at 10:30 a.m. one week prior to the screening date, or two weeks prior for MoMA members, at moma.org/film. Additional programs to be announced.
Organized by the Department of Film and the Department of Media and Performance, and overseen by Sophie Cavoulacos, Associate Curator, Department of Film.
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Film at MoMA is made possible by CHANEL.
Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by The Contemporary Arts Council of The Museum of Modern Art, Agnes Gund through The International Council of The Museum of Modern Art, the Association of Independent Commercial Producers (AICP), and The Young Patrons Council of The Museum of Modern Art.
Images
Ufuoma Essi. Still from Is My Living in Vain. 2022. Super 8mm film transferred to high-definition video (color and black and white, sound), 40 min. Courtesy the artist
To Exist Under Permanent Suspicion. 2024. France. Directed by Valentin Noujaïm. Courtesy the artist and Oyster Films
Samia Halaby. Beirut. 2025. Still from kinetic painting coded on a PC, 1993
Vaginal Davis. The White to Be Angry. 1999. Film still. Courtesy the artist and Galerie Isabella Bortolozzi, Berlin
Stephen Prina. Vinyl II (Still). 2000. Courtesy of the artist and Petzel, New York