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Modern Mondays

The Museum of Modern Art

This long-running screening series—building upon the legacy of the Cineprobe (1968–2002) and Video Viewpoints (1978–2002) programs—is a home for moving-image experimentation and innovation at MoMA. Modern Mondays invites artists working in film and video to present their work in an intimate setting, with each evening presenting a unique opportunity for audiences to engage in dialogue with the artists, along with curators and other guests. A platform for both emerging artists and trailblazing figures who have changed the way we think about the moving image, this series premieres new projects, revisits landmark film and video practices, and explores interdisciplinary engagement with performance, sound, technology, and Web-based art.

2022 Programs:

January 24: An Evening with Christopher Harris

February 7: An Evening with Pepón Osorio

March 7: An Evening with Crystal Z Campbell

April 11: An Evening with Tyler Mitchell

May 2: An Evening with Jennifer Bolande

May 9: An Evening with Ariel René Jackson

May 16: An Evening with Jay Anania (rescheduled from March)

June 13: An Evening with Basel Abbas and Ruanne Abou-Rahme


Organized by the Department of Film and the Department of Media and Performance, and overseen by Sophie Cavoulacos, Associate Curator, Department of Film.

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Film at MoMA is made possible by CHANEL.

Additional support is provided by the Annual Film Fund. Leadership support for the Annual Film Fund is provided by Debra and Leon D. Black and by Steven Tisch, with major contributions from The Contemporary Arts Council of The Museum of Modern Art, Jo Carole and Ronald S. Lauder, MoMA’s Wallis Annenberg Fund for Innovation in Contemporary Art through the Annenberg Foundation, the Association of Independent Commercial Producers (AICP), The Junior Associates of The Museum of Modern Art, the Samuel I. Newhouse Foundation, Karen and Gary Winnick, and The Brown Foundation, Inc., of Houston.





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Tyler Mitchell, Untitled (Idyllic Space Film Still). 2019. Archival pigment print, 20.25 × 36″ (51.44 × 91.44 cm). Courtesy the artist

Jennifer Bolande. The Composition of Decomposition. 2018. Video (color, sound), 48 mins. Courtesy the artist

Ariel René Jackson, A Welcoming Place. 2020-22. Single-channel film. 30 minutes. Courtesy the artist.

One Morning in 1904. 2021. USA. Directed by Jay Anania. Courtesy the filmmaker

Basel Abbas and Ruanne Abou-Rahme. Still from Only the Beloved Keeps Our Secrets. 2016. 10 min. Video (color, sound). Courtesy of the artists