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Video After Video: The Critical Media of CAMP

February 21, 2025 – July 20, 2025

The Museum of Modern Art

Video After Video: The Critical Media of CAMP is the first major US museum exhibition of work by the Mumbai, India-based collaborative studio CAMP. Initiated in 2007 by Shaina Anand, Ashok Sukumaran, and Sanjay Bhangar, CAMP creates video, film, electronic media, and public interventions to scrutinize and rework the political and socioeconomic conditions that structure contemporary life. On view from February 21 through July 20, 2025, the exhibition at MoMA will feature three pioneering works that engage communication devices, participatory filmmaking, and surveillance systems, using these media apparatuses as an artistic platform and medium.

Organized by Stuart Comer, The Lonti Ebers Chief Curator of Media and Performance, and Rattanamol Singh Johal, guest curator and former Assistant Director of the International Program, with Lilia Rocio Taboada, Curatorial Associate, Department of Media and Performance.

Press Kit

Images

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CAMP. Bombay Tilts Down. 2022. 4K CCTV video and seven-channel 4K video environment with alternating soundtracks. 13:14 min. The Museum of Modern Art, New York. Fund for the Twenty-First Century.  Installation view, Kochi-Muziris Biennale, 2023. Image courtesy of the artists

CAMP. Bombay Tilts Down. 2022. 4K CCTV video and seven-channel 4K video environment with alternating soundtracks. 13:14 min. The Museum of Modern Art, New York. Fund for the Twenty-First Century.  Installation view, 11th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane, January 2025 / © The artists / Image courtesy: N Umek, QAGOMA

CAMP. Bombay Tilts Down. 2022. 4K CCTV video and seven-channel 4K video environment with alternating soundtracks. 13:14 min. The Museum of Modern Art, New York. Fund for the Twenty-First Century.  Installation view, Sassoon Docks, Mumbai, 2024. Image courtesy of the artists

CAMP. Bombay Tilts Down. 2022. 4K CCTV video and seven-channel 4K video environment with alternating soundtracks. 13:14 min. The Museum of Modern Art, New York. Fund for the Twenty-First Century.  Installation view, 11th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane, January 2025 / © The artists / Image courtesy: N Umek, QAGOMA

CAMP. Bombay Tilts Down. 2022. 4K CCTV video and seven-channel 4K video environment with alternating soundtracks. 13:14 min. The Museum of Modern Art, New York. Fund for the Twenty-First Century.  Installation view, 11th Asia Pacific Triennial of Contemporary Art, Queensland Art Gallery | Gallery of Modern Art, Brisbane, January 2025 / © The artists / Image courtesy: N Umek, QAGOMA

CAMP. From Gulf to Gulf to Gulf. 2013. Standard- and high-definition digital video with footage shot on VHS-C tape and mobile phones (color, sound). 83 min. Image courtesy the artists

CAMP. From Gulf to Gulf to Gulf. 2013. Standard- and high-definition digital video with footage shot on VHS-C tape and mobile phones (color, sound). 83 min. Image courtesy the artists

CAMP. Khirkeeyaan. 2006. Six standard-definition videos (color, sound; varying durations), wall drawing, and four inkjet prints. Installation view, Passages through Passages, Sharjah Art Foundation, 2022. Image courtesy of the artists

CAMP. Khirkeeyaan. 2006. Six standard-definition videos (color, sound; varying durations), wall drawing, and four inkjet prints. Installation view, Beginnings, ARGOS centre for audiovisual arts, Brussels, 2019. Image courtesy of the artists