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Collection Highlights and Fall Reveal

Ongoing

The Museum of Modern Art

The new MoMA opened on October 21, 2019, with a reimagined approach to its presentation of modern and contemporary art, including a commitment to rotate one-third of its collection galleries every six months. This new collection model highlights the creative affinities and frictions produced by displaying painting, sculpture, architecture, design, photography, media, performance, film, and works on paper together. The majority of MoMA’s approximately sixty collection galleries now feature works from two or more of the Museum’s curatorial departments, proceeding along a broadly chronological spine throughout the fifth-, fourth-, and second floors. A selection of medium-specific galleries within each circuit delves into art and ideas that only MoMA’s extraordinary collection can present.

Fall Reveal

In the Fall Reveal, opening on November 14, 2020, 20 of the approximately 60 collection galleries will be transformed. Recognizing that there is no single or complete history of modern and contemporary art, each floor of galleries will offer a deeper experience of art through all mediums and by artists from more diverse geographies and backgrounds than ever before.

The conservation and presentation of MoMA’s collection is made possible by Bank of America.

Leadership contributions to the Annual Exhibition Fund, in support of the Museum’s collection and collection exhibitions, are generously provided by Jerry I. Speyer and Katherine G. Farley, Sandra and Tony Tamer Exhibition Fund, The Contemporary Arts Council, Eva and Glenn Dubin, Alice and Tom Tisch, Mimi and Peter Haas Fund, the Noel and Harriette Levine Endowment, The David Rockefeller Council, the Eyal and Marilyn Ofer Family Exhibition Fund, The Marella and Giovanni Agnelli Fund for Exhibitions, Kathy and Richard S. Fuld, Jr., The International Council of The Museum of Modern Art, and Marie-Josée and Henry R. Kravis.

Major contributions to the Annual Exhibition Fund are provided by Emily Rauh Pulitzer, Brett and Daniel Sundheim, and the Terra Foundation for American Art.

Images

Important: By downloading images you are agreeing to the following permissions: Images are provided exclusively to the press, and only for purposes of publicity of The Museum of Modern Art's and MoMA PS1's current and upcoming exhibitions, programs, and news announcements. Permission to use images is granted only to the extent of the Museum's and MoMA PS1's ownership rights relating to those images—the responsibility for any additional permissions remains solely with the party reproducing the images. The images must be accompanied by the credit line and any copyright information as it appears above, and the party reproducing the images must not distort or mutilate the images.

Georgia O’Keeffe. Abstraction Blue. 1927. Oil on canvas, 40 1/4 x 30″ (102.1 x 76 cm). The Museum of Modern Art, New York. Acquired through the Helen Acheson Bequest

Aaron Douglas. Study for the cover of God’s Trombones by James Weldon Johnson. 1926. Tempera and pencil on board, 17 5/8 × 14″ (44.8 × 35.6 cm). The Museum of Modern Art, New York. Acquired through the generosity of Jack Shear, Agnes Gund, Marlene Hess and James D. Zirin, Alice and Tom Tisch, Marnie Pillsbury, Eric J. Barkley, and gift of The Harmon and Harriet Kelley Foundation for the Arts

Stuart Davis. Lucky Strike. 1921. Oil on canvas, 33 1/4 x 18″ (84.5 x 45.7 cm). The Museum of Modern Art, New York. Gift of The American Tobacco Company, Inc.

Frank Lloyd Wright. Clerestory windows from the Avery Coonley Playhouse, Riverside, IL. 1912. Clear and colored glass in zinc matrix. Each: 18 5/16 x 34 3/16″ (46.5 x 86.8 cm). The Museum of Modern Art, New York. Joseph H. Heil Fund

Hermann Finsterlin. Study for a House of Sociability, project. c. 1920. Polychromed plaster and paint, 10 1/4 x 12 3/16 x 15 1/2″ (25.4 x 31 x 39.4 cm). The Museum of Modern Art, New York. Gift of D.S. and R.H. Gottesman Foundation

Gerhard Richter. Cell (Zelle). 1988. Oil on canvas, fifteen panels. 79 x 55 inches. The Museum of Modern Art, New York.  The Sidney and Harriet Janis Collection, gift of Philip Johnson, and acquired through the Lillie P. Bliss Bequest (all by exchange); Enid A. Haupt Fund; Nina and Gordon Bunshaft Bequest Fund; and gift of Emily Rauh Pulitzer

Gerhard Richter. Arrest 1. 1988. Oil on canvas, fifteen panels. 92 x 126 cm. The Museum of Modern Art, New York.  The Sidney and Harriet Janis Collection, gift of Philip Johnson, and acquired through the Lillie P. Bliss Bequest (all by exchange); Enid A. Haupt Fund; Nina and Gordon Bunshaft Bequest Fund; and gift of Emily Rauh Pulitzer

Gerhard Richter. Youth Portrait (Jugenbildnis). 1988. Oil on canvas, fifteen panels. 26 x 24 1/2 inches. The Museum of Modern Art, New York.  The Sidney and Harriet Janis Collection, gift of Philip Johnson, and acquired through the Lillie P. Bliss Bequest (all by exchange); Enid A. Haupt Fund; Nina and Gordon Bunshaft Bequest Fund; and gift of Emily Rauh Pulitzer

Tom Wesselmann. Still Life #57. 1969-70. Oil on canvas and base of acrylic paint on carpet, in six sections, Overall 10′ 3 1/8″ x 16′ 2 7/8″ x 6′ (312.5 x 495 x 182.8 cm). The Museum of Modern Art, New York. Gift of the artist

Marisol (Marisol Escobar). The Family. 1962. Painted wood, sneakers, door knob and plate, three sections, Overall 6′ 10 5/8″ x 65 1/2″ x 15 1/2″ (209.8 x 166.3 x 39.3 cm). The Museum of Modern Art, New York. Advisory Committee Fund

Gordon Parks. Untitled, Chicago, Illinois. 1957. Pigmented inkjet print, 18 × 12 1/8″ (45.7 × 30.8 cm). The Museum of Modern Art, New York. The Gordon Parks Foundation

Gordon Parks. Drug Search, Chicago, Illinois. 1957. Pigmented inkjet print, 12 1/4 × 18″ (31.1 × 45.7 cm) The Museum of Modern Art, New York, The Gordon Parks Foundation

Carrie Mae Weems. From Here I Saw What Happened and I Cried. 1995-96. Chromogenic color prints with sand-blasted text on glass, dimensions range from 26 3/4 × 22″ (67.9 × 55.8 cm) to 43 1/2 × 33 1/2″ (110.4 × 85 cm). The Museum of Modern Art, New York. Gift on behalf of The Friends of Education of The Museum of Modern Art

Carrie Mae Weems. You Became Mammie, Mama, Mother & Then, Yes, Confidant-Ha from From Here I Saw What Happened and I Cried 1995-96. Chromogenic color print with sand-blasted text on glass, 26 3/4 × 22″ (67.9 × 55.8 cm). The Museum of Modern Art, New York. Gift on behalf of The Friends of Education of The Museum of Modern Art

Carrie Mae Weems. Born with a Veil You Became Root Worker Juju Mama Voodoo Queen Hoodoo Doctor from From Here I Saw What Happened and I Cried. 1995-96. Chromogenic color print with sand-blasted text on glass, 26 3/4 × 22″ (67.9 × 55.8 cm). The Museum of Modern Art, New York. Gift on behalf of The Friends of Education of The Museum of Modern Art

Kiki Smith. Untitled. 1987-90. Silvered glass water bottles, Each bottle 20 1/2″ (52.1 cm) x 11 1/2″ (29.2 cm) in diameter. The Museum of Modern Art, New York. Gift of Louis and Bessie Adler Foundation, Inc.    

Theo Eshetu. Till Death Us Do Part. 1982–87. Two-channel video (color, sound; duration variable), twenty monitors, two papier-mâché masks, disco lights, and pews. Dimensions variable. © 2020 Theo Eshetu. Installation view, Galleria MR,Massimo Riposati, Rome (February 1987). Image: © 2020 Theo Eshetu. Courtesy the artist. .

Vincent van Gogh. The Starry Night. Saint Rémy, June 1889. Oil on canvas. 29 x 36 1/4 in. (73.7 x 92.1 cm). The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest. Photographed by Jonathan Muzikar.

Henri Rousseau. The Dream. 1910. Oil on canvas. 6′ 8 1/2″ x 9′ 9 1/2″ (204.5 x 298.5 cm). The Museum of Modern Art, New York. Gift of Nelson A. Rockefeller.

Henri Rousseau. The Sleeping Gypsy. 1897. Oil on canvas. 51″ x 6’7″ (129.5 x 200.7 cm). The Museum of Modern Art, New York. Gift of Mrs. Simon Guggenheim. Photographed by John Wronn.

Pablo Picasso. Les Demoiselles d’Avignon. 1907. Oil on canvas. 8′ x 7’8″ (243.9 x 233.7 cm). The Museum of Modern Art, New York. Acquired through the Lillie P. Bliss Bequest. © 2004 Estate of Pablo Picasso / Artists Rights Society (ARS), New York.

Salvador Dali. The Persistence of Memory. 1931. Oil on canvas, 9 1/2 x 13″ (24.1 x 33 cm). Given anonymously. © 2004 Salvador Dali, Gala-Salvador Dali Foundation / Artists Rights Society (ARS), New York. Photographed by Jonathan Muzikar.

G. W. Bitzer. Interior N.Y. Subway, 14th Street to 42nd Street. 1905. 35mm film (black and white, silent). The Museum of Modern Art, New York.

Sonia Delaunay-Terk. La Prose du Transsibérien et de la Petite Jehanne de France (Prose of the Trans-Siberian and of Little Joan of France). 1913. Illustrated book with pochoir and hand-painted parchment wrapper. The Museum of Modern Art, New York.

Martín Ramírez. Untitled (Figure with a gun on horseback). 1950. Crayon and pencil on paper. The Museum of Modern Art, New York.

United Nations Headquarters Board of Design, Wallace K. Harrison, Max Abramovitz, Oscar Niemeyer, Le Corbusier (Charles-Édouard Jeanneret). Façade from the United Nations Secretariat Building, New York, NY. 1952. The Museum of Modern Art, New York.

Shigeru Onishi. Untitled. c. 1955. Gelatin silver print. The Museum of Modern Art, New York.

Sari Dienes. Soho Sidewalk. c. 1953–55. Ink rubbing on webril. The Museum of Modern Art, New York.

Remedios Varo. The Juggler (The Magician). 1956. Oil and inlaid mother of pearl on board. The Museum of Modern Art, New York.

Hervé Télémaque. No Title (The Ugly American). 1962/64. Oil on canvas, in two panels. The Museum of Modern Art, New York.

Barbara Chase-Riboud. The Albino. 1972 (reinstalled in 1994 by the artist as All That Rises Must Converge/Black). Bronze with black patina, wool and other fibers. The Museum of Modern Art, New York.

Ibrahim El-Salahi. Prison Notebook. 1976. Notebook with 38 ink on paper drawings. The Museum of Modern Art, New York.

Mrinalini Mukherjee. Yakshi. 1984. Dyed hemp. The Museum of Modern Art, New York.

Chen Zhen. Un Village sans frontiers. 2000. Wood chair and candles. The Museum of Modern Art, New York.

Chen Zhen. Un Village sans frontiers. 2000. Wood chair and candles. The Museum of Modern Art, New York.

Chen Zhen. Un Village sans frontiers. 2000. Wood chair and candles. The Museum of Modern Art, New York.

Chen Zhen. Un Village sans frontiers. 2000. Wood chair and candles. The Museum of Modern Art, New York.

Chen Zhen. Un Village sans frontiers. 2000. Wood chair and candles. The Museum of Modern Art, New York.

Wu Tsang. We hold where study. 2017. Two-channel video (color, sound; 18:56 min.). The Modern Women’s Fund.© 2019 Wu Tsang.

Paula Modersohn-Becker (German, 1876-1907). Selbstbildnis mit zwei Blumen in der erhobenen linken Hand [Self-Portrait with Two Flowers in her Raised Left Hand]. 1907. Oil on canvas. 21 3/4 x 9 6/8 in. (55 x 25 cm). The Museum of Modern Art, Gift of Debra and Leon Black, and The Neue Galerie, Gift of Ronald S. Lauder.

Tarsila do Amaral (Brazilian, 1886-1973). The Moon (A Lua). 1928. Oil on canvas, 43 1/3 x 43 1/3 in. (110 x 110 cm). The Museum of Modern Art, New York. Purchase.

Faith Ringgold. American People Series #20: Die. 1967. Oil on canvas, two panels, 72 × 144″ (182.9 × 365.8 cm). The Museum of Modern Art, New York. Acquired through the generosity of The Modern Women’s Fund, Ronnie F. Heyman, Eva and Glenn Dubin, Lonti Ebers, Michael S. Ovitz, Daniel and Brett Sundheim, and Gary and Karen Winnick

Installation view of Downtown New York (Gallery 202) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: John Wronn

Installation view of Gretchen Bender’s Dumping Core (gallery 204), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: John Wronn

Installation view of True Stories (gallery 208), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: John Wronn

Installation view of My%Desktop(Gallery 211) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: John Wronn

Installation view of Building Citizens (Gallery 216) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Photo: John Wronn

Installation view of Action Painting I (gallery 403), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp

Installation view of Action Painting I (gallery 403), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp

Installation view of War Within, War Without (Gallery 420), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Robert Gerhardt

Installation view of War Within, War Without (Gallery 420), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Robert Gerhardt

Installation view of 19th Century Innovators (gallery 501), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of 19th Century Innovators (gallery 501), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of 19th Century Innovators (gallery 501), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Early Photography and Film (gallery 502), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Early Photography and Film (gallery 502), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Early Photography and Film (gallery 502), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Readymade in Paris and New York (gallery 508), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Denis Doorly

Installation view of Paris 1920s (Gallery 514) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Paris 1920s (Gallery 514) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Jonathan Muzikar

Installation view of Claude Monet’s Water Lilies (Gallery 515) The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Kurt Heumiller

Installation view of Around Les Demoiselles d’Avignon (Gallery 503), The Museum of Modern Art, New York. © 2019 The Museum of Modern Art. Photo: Heidi Bohnenkamp